Glee at the Audi/Chopard Emmy Party

"HAHAHA!!! Emmys!"

Click here for full post.

Jane Lynch Gets Waxed

"Get the AGONY out of your eyes!"

Click here for full post.

Glee at Fox All-Star Party

One of the best dressed casts on TV.

Click here for full post.

Glee in Emmy Magazine

Bleak Gleeks.

Click for full post.

Glee S1E22: Journey

"I'm seriously gonna puke in your mouth."

Click for full post

Glee S1E21: Funk

"Sue Sylvester has hourly flair ups of burning itchy highly contagious talent."

Click for full post

Glee S1E20: Theatricality

"Asian vampires are the most vicious of all the vampires!"

Click for full post

Glee S1E19: Dream On

"Do you want to hear my research that proves my mother is Bernadette Peters?"

Click for full post

Glee at 2010 FOX Upfront After Party

Gleek Fashion.

Click for full post.

Glee S1E18: Laryngitis

"Last week I joined a black church."

Click for full post

Glee S1E17: Bad Reputation

"The cruel slow motion laughter is just your imagination."

Click for full post

Glee S1E16: Home

"I haven't had a drink in 45 minutes!"

Click for full post.

Glee S1E15: The Power of Madonna

"Mercedes is black, I'm gay. We make culture."

Click for full post.

If you're having display issues with your feed, subscribe to our new feed

Glee S1E14: Hell-O

"I'm engorged with venom and triumph."

Click for full post.

If you're having display issues with your feed, subscribe to our new feed.

Glee S1E13: Sectionals

"She's the one they made me talk to when they found out I was keeping that bird in my locker."

Sad as we are to see the show go on hiatus until the spring, we were looking forward to this episode because the depiction of sectionals meant we were pretty much guaranteed a bunch of great numbers. We weren't even thinking of plot much but we got that in spades too. We have to admit, as annoying as the two pregnancy storylines sometimes got, we kind of love how they brought them each to their conclusion: as mundanely as possible. Will finds a baby bump pillow and lifts Terri's shirt. Done. Rachel, standing as she does in the center of things in the Glee club, figures out the obvious and tells Finn she doesn't think he's the father of Quinn's baby. Done.

But let's face it, the musical numbers are what keep us all coming back week after week and last night's episode did not disappoint.

Y'know, it could be argued that giving "And I Am Telling You" to the sassy, chubby black girl is just a tiny bit on the cliche side, but a): they treated it like the expected thing it was, and b): she FUCKING NAILED IT with a version that would have made both Jennifers sit down for a minute.

And what do you do after the sassy, chubby black girl brings down the roof with the anthem for sassy, chubby black girls everwhere? Why, you hand the Jewish girl with the Broadway Baby styling "Don't Rain on My Parade,"(the anthem for Jewish girls with Broadway Baby styling everywhere) and turn her loose, resulting in yet another roof coming crashing down.



But the episode wasn't just a nod to the gays - because anthems for sassy, chubby black girls and Broadway baby Jewish girls are naturally anthems for gayboys as well - because we got a cute version of "You Can't Always Get What You Want" and a KILLA version of "My Life Would Suck Without You," complete with choreography that served as callbacks to pretty much every other number this season.



And in between we got a ton of drama and a little bit of comedy. In fact, we got what we considered the funniest line and delivery of the entire season:

"Okay. I'm just gonna come out and say it. This is a singing competition. I don't know how those deaf kids got in. They weren't singing, they were like, honking, and everyone was crying and I was like, "Get off the stage. You're terrible and you're making me super uncomfortable."

So hard were we laughing at that that we didn't hear the next five minutes of dialogue.

Sue, of course, got the remainder of the best:
"Hey buddy. I just stopped by to feed my Venus Flytrap."

"You'll be adding revenge to the long list of things you're no good at, right next to being married, running a high school glee club and finding a hairstyle that doesn't make you look like a lesbian."

"Get ready for the ride of your life, Will Schuester. You're about to board the Sue Sylvester Express. Destination: horror!"

It was a completely satisfying hour of television. If the series had been canceled at this point, these 13 episodes would have stood on their own . Thankfully, they'll be back in the spring, stripped clean of most of the silliness plotwise, and geared up for regionals, promising better and better numbers. Can't wait.



[Screencaps: Projectrungay.blogspot.com - Video: Dailymotion.com]


Post a Comment

Glee S1E12: Mattress

"I insist on only being shot from the left side."

Well! They certainly decided plot was the new focus this week, didn't they? That was like a season-ender of Mad Men, so much happened.

But first, a quote retrospective. As usual, someone got most of the good lines and this week it was Sue Sylvester.

"While they were in there, I told them to go ahead and yank out those tear ducts. Wasn't using them."

"All I want is just one day a year when I'm not visually assaulted by uglies and fatties."

"Get out of my office... if you can manage squeezing through the door without your water breaking all over the carpet."

"You're too busy chasing tail and loading your hair with enormous amounts of product. Today, it just looks like you put lard in it."

"Aside from nudity and the exploitation of animals, I'll pretty much do anything to break into the business."

"Ken has a lot of flaws. He has 74 flaws as of yesterday."

Now, let's get something out of the way first. We wouldn't be us if we didn't have something to complain about, and with this episode it's weak musical numbers. The "Jump" bit was cute, but the rest of the episode was seriously lacking in any notable music numbers. And no videos of the numbers to be found anywhere online. Boo, FOX.

But wow, how about that Will vs. Terri showdown? Didn't see that coming. At least not yet. It was actually kind of a harsh scene for this show. We just did an interview for Metrosource magazine with Jessalyn Gilsig, who plays Terri. She talked about how, as fucked up as Terri is, everything she's done, she did out of a fear of losing her husband. For all her scheming and its resultant pain caused to Will, we couldn't help feeling sorry for her when the truth dawned on her that not only was she exposed, but her marriage was over.

Or is it? Emma acted like an adult for once and put her feelings for Will aside to show him that Terri did the wrong thing for the right reasons. As silly as Emma's impending marriage to Ken is, she at least managed to show a little maturity and both put Will in his place when he got out of line and gently give him the kind of advice that might not necessarily give her the outcome she would like. Although who knows with these two. It's a Hallmark of the show that the least mature characters are all the adults and these two carry on like a couple of 15-year-olds.

This week we were treated once again to the Villainous Sue Sylvester. She's had such a range of personalities depending on the episode, so you never quite know which Sue you're gonna get; the hilariously egotistical one, the visiting her developmentally disabled sister one, or the overtly villainous one. It's to the great credit of Jane Lynch that somehow she manages to pull it off by giving Sue a just-under-the-surface insanity.

Considering all the grownup drama, it was nice to not focus too much on the teenage drama for a bit. Rachel still falls all over Finn, but she seems pretty aware of where they stand. And a big hooray for Quinn, who used all her well-learned skills of bitchy mean girlness for good by going mano a mano with Sue Sylvester - and WINNING.

And Will's fired from the Glee Club. Sure. That's gonna stick.

Post a Comment

Glee S1E11: Hairography

"I'm gonna say this as nice as I can. But you look like a sad clown hooker."

We are still in the throes of turkey and carb overload-induced coma while simultaneously attempting to gear ourselves up for what we hope is a mere toe-dip into Black Friday madness, and since this was a pretty disjointed episode that recycled a lot of the same old conflicts, we're only up for bullet points and videos. We figure that's all you're up for too. Ready? Go.

- Except there are no videos. Boo to Fox, who apparently is protecting its property vigorously. It gets harder and harder to find decent embeddable performance clips from each episode, and this week we couldn't find any at all, unfortunately.

- It says something about the quality of the episode that we're not particularly upset about Bullet Point # 1. There just weren't any kickass musical numbers. Sure, "Papa Don't Preach" was cute (and Quinn's best vocal performance yet) and so was "True Colors," if only for the long-overdue Tina solo. Her voice was perfectly suited for the song. That Hair + Beyonce mashup was funny - especially the deaf kids' reaction to it - but it's not like we were humming it the next day, which was kind of the point, we guess.

- But what really kind of made us uncomfortable was the "Imagine" number. They were clearly going for the lump-in-the-throat effect (and to be fair, they got it from us, a little bit), but we couldn't help thinking how rude it was for the New Directions kids to jump in uninvited. And it struck us as a little bit of a copout on the creators' part. If you wanted us to tear up over the deaf choir, then have the bravery to give them the spotlight on their own.

- "It's like cool epilepsy." lines like this, along with characters like the pick-pocketing Aphasia, are what keep the show from skirting too far into Hallmark Channel sweetness. The occasional political incorrectness of the show is, for us, a selling point and to its credit, it's applied equally to all the characters, from the pregnant head of the chastity club to the scheming bitchy queen, plotting to trick his unrequited love into loving him.

- Having said that, there's no denying that the show definitely has a problem with its female characters. Terri, her sister Kendra, Quinn, Sue Sylvester, Rachel - they're all either batshit crazy or scheming bitches, usually both. It's to the credit of Jane Lynch and Jessalyn Gilsig that they can find the comedy in their characters, but it's episodes like this one that illustrate just how pervasive it is on the show.

- And speaking scheming queens, we have to give it up for Kurt, who got some of the best lines of the night.

"You need something to distract from your horrible personality. Most of the time, I can't stand to be in the same room as you."

"Rachel manages to dress like a grandmother and a toddler at the same time."

"It makes it hard to appreciate your talent because I wanna shove a sock in your throat."

"Makeovers are like crack to me."

It could be argued that Kurt's character is a cliche and a tragic one at that, but like we said, it's a little refreshing that the gay character can be as politically incorrect as any of the other ones and they've built up enough goodwill by showing us various sides of the character in previous episodes, so we don't mind it at all.

- In case it wasn't obvious, this was clearly not our favorite episode of the season. All the plotlines feel like well-trod ground at this point. Don't get us wrong, it's always an hour bound to get you to laugh at least once and enjoy at least one musical number, but this one was a bit of a letdown.

Post a Comment

Glee S1E10: Ballad

"I have to go. They'll think I'm pooping."

Sometimes, you just gotta give up the stuff you want in order to get the stuff you need. Last night's episode was sadly Sue Sylvester-free, but in the end we didn't mind because there was big movement on the plot front. So big that we honestly didn't see it coming. Not only do Quinn's Glenn Beck-watching, chastity ball-attending, constantly buzzed parents now know about her pregnancy, but they threw her out of the house, leaving her to live with Finn and his mom and her amazing denim vests. Further, Puck blurted out that he's the father of the baby, except he blurted it out to Mercedes, who had the best intentions but didn't exactly give the best advice as to how to handle it.

Plus there was a cute and funny subplot about Rachel crushing on Will and Terri suffering years of hormonal high school girls going after her husband. In typical Terri style, she figured out a way to make it work for her: by treating the girls as household slaves. And believe it or not, the last girl who had a crush on Will, Suzy Pepper, is played by the same actress who plays Sal Romano's wife Kitty on Mad Men, Sarah Drew. Go look it up. That girl is a chameleon. She was completely unrecognizable last night. The only reason we knew who she was is because Lorenzo has always loved her since her appearance on the late lamented Wonderfalls.

Except for the final highly emotional number, the songs were a little flat this week. "Endless Love" was great but they talked all through it and Cory's "I'll Stand By You" was sweet, but he definitely doesn't have the voice for solos. And while they finally figured out what a mash-up is (not a medley), we didn't think Will's mash-up of "Don't Stand So Close To Me" and "Young Girl" actually worked. Of course, the second the words "You're having my baby" came out of Finn's mouth at the Fabrays' dinner table, we groaned and covered our eyes. One thing that's notable about the song choices (and to be fair, we didn't notice this until someone - oh, okay: Laura - called us up and pointed it out): they weren't exactly subtle. "Endless Love" leads to a crush, which leads to Rachel wanting to sing "Crush." Finn needs to get the baby out in the open so he sings "Having My Baby." Will is concerned about Rachel's crush so he sings a mash-up of "Don't Stand So Close To Me" and "Young Girl." Not so much a criticism, just something that we hadn't noticed until it was pointed out to us. Thank god we didn't have to suffer through Kurt's proposed rendition of "I Honestly Love You."

So yeah, we were nearing the close of the hour a little disappointed with the musical numbers until the glee club offered up a song that's appeared in one too many movies and phone company commercials to have any sort of emotional impact and yet, there we were, tearing up listening to it. Manipulative? You bet. But isn't that what music is supposed to do, manipulate your emotions?



Once again we have to single out Artie. That kid really does have a fantastic, soulful voice. We loved his version of "Dancing with Myself" last week, but this performance was his best yet. It's just funny to see this skinny white kid open his mouth and have a big soul voice come out. And we can't imagine ever getting tired of Mercedes' crystal clear voice.

Finn and Kurt bonding over their dead parents was sweet and believable, a bond that makes sense for the characters. Unfortunately, Kurt's growing crush is a little painful for us to watch. It's something any gay boy can relate to but most of us didn't take it so far as to try and convince the captain of the football team to give up girls permanently.

Anyway, it was kind of an uneven episode but we didn't care. It was still fun. Let's wrap this up with our favorite quotes along with the rest of the numbers.

"It's a male duck."

"I could totally sing this song with Finn, but screw him if he thinks he's taking the Diana Ross part from me."

"I never noticed this before because he's always trying to ruin my career, but Mr. Schu has really pretty eyes."

"Listen, you little psycho, this is Will's wife, and if I don't get enough sleep my antidepressants won't work and then I'll go crazy and I'll kill you."

"He's cheating off a girl who thinks the square root of 4 is rainbows."

"He'll be crying into my shoulder pads."

"Hey, Barbra Streisand. We need to have a little talk."






Post a comment

Glee S1E9: Wheels

Rolling on a river, kittens.

We're not gonna lie to you. Despite our endless cheering for this show, our viewing experience quite often is vocalized thus: "Wait, what?" "Why is she --?" "Didn't they just --?" "Who would do --?" And ends thus: "You know what? I'm just gonna go with it."

Well, last night's episode was the first time we didn't have that reaction. Oh sure, they're still pushing the implausible baby daddy storyline, but this time the characters involved are all acting like, well, like real people would act in such an implausible situation. For the first time, we actually felt a little tension there and wondered how it was going to be resolved and who was going to wind up hurt. Don't get us wrong, we'll bet you a dollar that it'll all come out by the season finale and Quinn and Puck will wind up together, but for the first time we were actually curious about how they were going to get to that point.

Even more encouraging is that the writers seem to have gotten a better handle on each of the characters and they're blooming right in front of our eyes. Sue Sylvester isn't just a crazy fascist; Artie isn't just "wheelchair guy"; Tina isn't just "stuttering girl"; Kurt isn't just -- well, okay, Kurt IS the gay one, but they added some layers to that and honestly, any scene between him and his father is a scene worth watching. They play off each other so well and their individual pain is both subtle and utterly believable. Also, blonde girl has a name! Britney! And a personality! Dumb Blonde! Okay, maybe they need to work on that one in terms of fleshing it out, but they did manage to wring a "I can't believe they just said that" politically incorrect joke out of it with the revelation that she copies her math answers off the girl with the developmental disability.

And speaking of disabilities, they've only really lightly touched on what it's really like to be an outsider, especially in high school. Mostly, they've just played it for laughs, but we're not going to deny that we teared up a little at Artie's cute rendition of "Dancing with Myself."



But then we really lost it when Sue visited her sister. Didn't see that one coming at all. And for some odd reason, it really works for the character. Somehow, her previous flashes of sheer insanity and nastiness don't actually contradict the warm, loving Sue we saw briefly last night. Credit must be paid to the awesome Jane Lynch, who nailed that scene.

Honestly, we were just happy to see a show that didn't COMPLETELY revolve around the most attractive members of the cast. It's not that we want them to ignore Quinn, Puck, Rachel and Finn (not to mention Will, Emma, and Terri), but a little bit of a spotlight on the so-called "lesser" characters was desperately needed, especially Tina and Artie. Their "date" was incredibly sweet, but this being Glee, had to end somewhat badly. We really hope they pick up on this plotline and don't leave it dangling.

Also, Kurt and Rachel in a diva-off! Who doesn't love that? The outcome was pretty much predetermined but they added a nice twist on it by having Kurt reveal he deliberately flubbed the note for his father's sake. That's an examination of being gay that you don't normally see on television: how far out of the closet can I go before I pay a price? It's a question that every struggling gay person has to answer at some point.

And finally, as the minutes wound down on the show, we were afraid we were going to be left without a big number to take us home. We should have known better:

Where did they get that ramp? How did they all master their wheelchairs so quickly? Where is the musical accompaniment coming from? You know what? We're just gonna go with it. Because we honestly think this episode was the best of the series so far.


[Screencaps: Projectrungay.blogspot.com - Videos: hulu.com/photobucket.com]


Post a Comment

Glee S1E8: Mashup

"It was a message from God: Rachel was a hot Jew and the good lord wanted me to get into her pants."

Okay, before we get into it, watch this (as if you needed to be asked):



Amazing, amirite? In fact, this may be our favorite solo of the series so far. Puck has a great voice, which makes us wonder why he's not singing male lead instead of Finn. Still, we've been bitching and moaning about handing the mike to anyone but the two leads, so we won't belabor the point this time.

Here's what makes this clip so amazing and how it's going to lead us to bitch again: while the camera swoops and pans during the song, we're treated to some great dialogue-free character bits: Rachel is swooning, Quinn is swooning (And can we say, we don't blame them a bit? Who wouldn't swoon while a boy who looked like that sang that song to them?), the lightbulb is slowly going on over Finn's head, and, our favorite, Santana, the girl who dumped Puck due to his poor credit rating, looks like she wants to vomit. This is something the show does very well: these quick cuts just to show a character's reaction to something. It's a great way to fill in the details on a character without taking pages of dialogue.

Now, why on earth would we complain? Just this: all those little character bits demonstrated that a Rachel/Puck romance not only works wonderfully, it opens up the show to a ton of possibilities, plot and character-wise. So what did they do? Dumped the idea before the show was over. Stupid, Glee folks. Very stupid.

In fact, much as we loved the episode, this dropped plotline kind of soured us on the whole thing. Sure, we never expected the kindler, gentler Sue Sylvester bit to last the whole hour and we weren't disappointed when she went right back to being sociopathic Sue at the end, but this, we just can't let this one go.

And the whole arc about the social repurcussions of cool kids hanging with the dorks - hasn't this been done already? A couple of times now? Will and Emma stare longingly at each other and sigh while Ken looks on, angry. Hasn't that been done enough? The Puck and Rachel pairing was the first thing to come along since the pilot that really threatened to turn everything on its head; the first really new thing to come along in 6 or 7 episodes. Plus, we would have loved to see the two of them share a duet. Aren't we all a little tired of the endless Rachel/Finn duets?

Okay, okay. We're bitching too much. We really did like the episode. Loved Emma's solo on "I Could Have Danced All Night," a perfect blend of character, costume, and song. And while others may bitch about Will's constant white guy rap, we think it's funny and besides, unlike a LOT of white guys who attempt to rap, he's actually good at it. We think he's cute enough, but when he starts dancing, he goes from cute to hot in a couple of seconds. Also, Kurt (and there's never enough Kurt to our tastes) got a great bit in when he took one for the team and pointedly asked Finn if his football friends would do the same for him. Nice little burn there. And of course, how can we ever forget the image of Sue and Will swing dancing?

Okay, let's wrap this up with our favorite quotes and a couple more musical numbers.

" I can't be caged in, Sue. That's why I got my tiger tattoo."

"Someone get me to a day spa! Stat!"

"You sunk my battleship, Rod. And you sunk it hard."

"I, for one, think intimacy has no place in a marriage. Walked in on my parents once and it was like seeing two walruses wrestling."





Post a comment